Audio Tracks in your DAW have an Input and an Output. Is it a problem with my reverb or do I have to make it mono? Using a second recording of a vocal, guitar part or synth patch that’s slightly modified from the one panned left/right is a great way to produce a wider stereo image. Although due to the stereo using 2 or more channels, the file size for stereo audio files will usually be much larger compared to mono. Based on what I have read so far I am in the market for Small Diaphragm Condenser(s). You’ll want those instruments mono in the mix. If you cannot hear yourself sing, then you should not be doing this. Or simply if you like the way it sounds. If you're recording a single Microphone, you set the track to mono. A Mono input will place the single microphone correctly in the centre of the track. Stereo guitar is usually a mono guitar tone right up the middle with stereo effects on the side. However, I think polarising the question into a 'mono versus stereo' dichotomy is actually a bit restrictive, because those are only two facets of the wider issue of stereo width in reverb effects. It's going to be louder due to the summing/panning law but you can easily compensate for the volume of the mono track by 3 or 6 db (refer … That includes most things: bass, guitar, vocals, strings (yes, strings), horns and percussion. Vocals - recorded with a mic is a mono instrument and should be recorded onto a mono track Bass guitar - is a mono instrument and should be recorded onto a mono track ; 2 drum overhead mics - Well each mic is mono, so you should record each mic onto its own mono track and not onto a single stereo track. This is done by using Bounce Selection command, either by using the shortcut [CMD]+ [B]/ [CTRL]+ [B] or by right-clicking on the audio file and choosing the "Bounce Selection" command. The better way is to use a mono speaker. I found this out both by receiving acapellas from artists which turned out to be mono, and also by trying a microphone myself. I would record vocals in mono as well. Stereo also allows for multitrack recording, which is a method that was created in 1995 and it lets you separate recording that are from multiple sound sources to create a cohesive whole. Recording vocals in "stereo" seems a little excessive. Stereo (or Stereophonic sound) is the reproduction of sound using two or more independent audio channels in a way that creates the impression of sound heard from various directions, as in natural hearing.Mono (Monaural or monophonic sound reproduction) has audio in a single channel, often centered in the “sound field”. If you are recording the vocals of one singer in a booth, then you should record in mono. Same with the snare, rack tom, etc. When trying a microphone myself and recording it, the vocals in mono sounded better than when recorded in stereo … What I want to know is what type of track should I record my vocals as stereo or mono. (BTW, mono files are about half the size of stereo files.) Lately I’ve reexamined my mixes and find that I don’t want everything stereo. As a rule, through much of the decade where mono and stereo records coexisted in the record stores, the stereo pressings command more attention and interest and sell for higher prices than their mono counterparts. Stereo also allows for multitrack recording, which is a method that was created in 1995 and it lets you separate recording that are from multiple sound sources to create a cohesive whole. When you actually record the vocals using Maschine's sampler try selecting a mono input i.e. For example: - Left VS-100 IN 5-6. But all the digital enhancements in the world won't rescue a lousy record. Basic Multitrack Recording – Split Stereo Channels. The question needs to be "Should I use mono or stereo reverbs?" Posted in Genre - Vocals - Female, Labels We Love - Verve, Mono or Stereo? IMO, you should record everything in mono that does not specifically HAVE to be stereo. Okay, back to stereo vs. mono. It really depends what you’re recording. If you’re recording in mono, chose a mono file. The simple answer is, if you’re recording vocals in a booth, you should record in mono. There is no additional benefit by recording it stereo. A reborn vinyl collector wrote to me recently for advice on whether they should seek out a mono or a stereo copy of a particular record. I'd pan the guitar all the way left, the synthesizer all the way right, and leave the drums, bass, and vocals up the center. A Stereo Microphone that typically employs 2 mics in one capsule that will input a mono signal and outputs stereo audio sound or. – DO THIS! Why You Should Mix in Mono 1) It Highlights Imperfections In The Mix. But that's not really stereo, it's two mono signals that will be processed and mixed in different ways. I think if it is an original mono studio recording, for total purity it should be (mastered and) played from stylus to speaker in a full mono chain of mono components, and the "speaker" should be big, 4x4 feet or 5x5 feet. You should record vocals at an average of -18dB for 24-bit resolution. The stereo mix seems a little more effective in conveying an ethereal feeling, while the mono is more straightforward. Vocals and any direct-in instrument (ex. When you record a piece of audio you can do so in stereo or in mono. The moral therefore (and yes, I'm back on the 416) is that dialogue should be recorded in mono, which can be panned anywhere in the stereo sound stage in post production. If you are recording two mono instruments and you know ahead of time you want one hard-panned to the Left of the Stereo Image and the other hard-panned to the Right. It's worth noting that (mono-in stereo-out) stereo reverb is one way to artificially create a stereo field from a mono input. Mixing in mono can be a bit tricky, but if you do it right, you can get much better results than if you only mixed in stereo. This tends to sound much more natural than attempting to modulate the pitch and time of a duplicated signal to create stereo width. This will let you pan it wherever you want in the left-right field. I set the audio in on the Montage to microphone and to mono LEFT out. Bussing. Here are two ways to add width to a sound using either mono or stereo reverb: 2. Arm track 2. Share this post. Best way to check that there is no stereo information is to solo the stereo vocal, phase invert one of the sides (say left), then finally sum them to mono. Mono Your Low End A lead vocal is typically the start of a song, meaning it should also be kept mono and centered. This methodology slightly changes when we begin adding stereo effects, however. There are a few mixing cases where you might want to add a bit of stereo reverb to a kick drum during sparse points in a mix or to create a larger-than-life feel. Mick Taylor’s slide fills are warm and powerful. There are only a few things that really need to be in stereo. This can be a crappy old speaker of some sort, or you can buy a mono speaker, Auratone 5C for example. I bought an sm57, recording through a presonus firepod. Microphones I find usually record in Mono. However, the nature of the mix in this case makes it interesting. I was just testing it again, using mono and stereo sources (pink noise, sine waves, vocals, percussion) and using mono and stereo playback speakers, and everytime I flipped between the track played back as mono and stereo I get about a 3 dB difference. For mono sources such as vocals, guitars and sometimes drums, using a mono reverb such as a plate or a spring reverb can be a great way to get a lot of depth and at the same time limiting the amount of space your reverb takes up in the mix. The next thing to do is to convert the audio file from stereo to mono. Anything that is the same in stereo tracks will cancel out when the tracks are summed in mono. recording. Also, a mono plug in uses less system resources than a stereo one. How do I record my vocals and guitars in MONO thru the Montage? Factors That May Determine Your Choice Between Mono and Stereo I noticed when I record guitar on stereo.. itll only play back through one monitor. You can also record a mono signal (guitar or vocals) and make it a stereo signal later on. Normal stereo tracks will be different on the left and right, whereas “joint stereo” will be identical. Indeed, we recommend you record a lead vocal in mono. The real answer to your question is no. Spreading out the guitar (s) will open up space for the bass and other center-panned parts. Based on what I have read so far I am in the market for Small Diaphragm Condenser(s). Fine if that’s the only guitar on the song or if there’s not much going on vocally. This is because all of the mixer tracks are stereo. There should be two sections, one for stereo and one for mono. Graham on January 12, 2015 at 3:29 pm . Getting back to recording in true stereo; if you decide to record each microphone onto a separate mono track, rather than onto one stereo track as above, no problem. So if you set your levels in stereo, you might only realize there’s a problem later. 4.9k 5.2k 53. I am looking to record acoustic guitar. ... Vocal recording problem? Top. It makes little to no sense to record vocals in stereo unless you’re recording a lot … Sounds like you've got it. I knew you would. Try dropping out some lower midrange to remove muddiness in the middle — especially on a dreadnaught or other large-body acoustic. Also, if we stay like this, what kind of issues and problems am i going to have ? Say you’ve got a stereo piano, a stereo Hammond organ, a stereo drum kit, a stereo bit of background vocals, four guitars, stereo synthesizers, and a horn section. Mono!, Pressings with Excellent Sound Quality, Top Artists - Barney Kessel, Top Artists - Billie Holiday, Top Artists - Oscar Peterson, Top Artists - Ray Brown and tagged audiophile vinyl, Better Records, Hot Stampers, tom port on July 24, 2020 by humorem. I currently am using a Sm58 (without the windscreen) into a Scarlett 2i4 and am recording in an untreated room. A lot of folk and finger picking so low volume playing. Stereo microphones have two microphone elements, and are designed to give you a wider, more immersive sound field than mono microphones. 3. level 1. johnofsteel. A rather poor song, but a great record. Lots of clubs and shops have mono speaker setups. > Is there a way that a mono recording, (i.e. Mono or stereo, a good mix leaves room for each instrument and vocal part to occupy its own space in the sonic spectrum. Next, record the vocals with one microphone – creating a mono sound in the recording which can occupy the centre of the stereo field. If you record three, leave the final one in the center. I currently am using a Sm58 (without the windscreen) into a Scarlett 2i4 and am recording in an untreated room. If you push the mono button, however, even a really scratched up record can still sound great. The only exception to this comes in in 1967 and 1968, when the mono pressings became quite rare and are sought out for their rarity. The Focusrite outputs to my monitors. A really wide stereo field sounds nice to me, but YMMV. This doesn't mean we won't use panning. Headphones, laptop speakers, hi-fi systems and car speakers are all commonly used stereo systems. the Beatles), can be > separated to isolate separate instrument/vocals and then apply Auto-> Tune/pitch correction or other fx? Therefore, most producers and engineers opt for mixing the dry lead vocal signal in mono, while mixing the vocal effects, such as reverb and delays in stereo. But often when you crunch that into mono, those instruments can often trample all over each other. Mixing guitars in stereo is a great way to add depth to a mix, particularly in a very busy mix. This methodology slightly changes when we begin adding stereo effects, however. You can record in mono but record the same part twice on two separate tracks, then pan them left and right. If you recorded two takes of each part, pan one hard left and one hard right. Also, I read up there that someone records everything in stereo… Inputs can be either Stereo or Mono. and the answer, like above with the balance, should be based on the arrangement. There are a few mixing cases where you might want to add a bit of stereo reverb to a kick drum during sparse points in a mix or to create a larger-than-life feel. Frankly, I’m new to mixing in Mono as well, however, in my application of this brand new tool, I managed to learn a lot about mixing and how, we, as producers or whatever we call ourselves, can best utilize the tools at our disposal to make the best sounding mixes possible. If you are recording the vocals of one singer in a booth, then you should record in mono. In the vocoder setup below, the modulator is the mic input panned hard left, and the carrier is a synth preset panned hard right. In this tutorial on how to record vocals properly; most home studio vocal recording projects should be done in mono unless you are recording a chorale or a group of singers where stereo recording makes sense. If there are two microphones on a source or two outputs of a keyboard or two outputs of a pedal or guitar processor, you will record to a stereo … For singers, in most cases, it is better to record in mono and even if you record in stereo you should record with stereo mics the ambiance but also the voice in mono with another mic. Mixing in stereo has a distinct advantage on in-ears; you'll be able to set your mix in a way that mimics real life. It will sound good on a cheap transistor radio or a high-end stereo system. Every aspect of the drum kit should have its own space within the mix. Recording: For pop music stick to 48 kHz, but 44.1 kHz is acceptable. Songs with vocals are mixed so that the priority focus is on the lead singer. For example, you can make a song sound great by panning instruments with similar frequency spectrums left and right. The “Tree” Formula of Mixing You may have heard of the “Tree” Formula of mixing. A small minority of live sound engineers and rig set up men wire and run the show in stereo, but the common practice is to run a live concert in mono so that the entire crowd can get an idea of the full band sound. This is a flawed theory that never sounds clean in practice. 1 Comment Recording in stereo sounds like it's gonna give a beter quality, but I read that to be actual stereo it needs to be recorded by several mics instead of one. 2 years ago. So don't arm track 1. If the track is in mono, keep it in mono, UNLESS the plugin adds some sort of stereo effect like reverb or doubling (e.g. Since the mouth is just one point source, it should be recorded as such and mono will do just fine.
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